i’m pleased to announce the long over due full length release of a minority of one “anahata”… and it’s free to download!
click any picture to download the new album or
click to download a minority of one anahata
for this recording a minority of one was:
cover artwork “aesthesis” by jh, kid skin and kangaroo leather appliqué on steer hide
insert photos by ryhs balmer
Aesthesis, (greek: “to breath in”), is the space between our practiced senses of touch, taste, seeing, hearing, and smelling. It is feeling, it is a common sense that unifies the others. The organ with which we experience and perceive aesthesis is the heart. Heart based perception is for me an essential practice, without which i would be lost, in this age of constant sensory distraction and reductionist linear explanations of the world around us. Ancient peoples utilized this awareness on a daily basis, communicating directly with the plants around them to understand their many uses, with animals to ask for assistance in feeding and clothing their families and with the spirits of the land and sky for guidance along the way. Aesthesis is our direct communication with the spirit that moves in all things.
i created this piece many years ago for the first (& last) annual “heathen art show” here in portland at optic nerve arts, curated by a. von rautman and markus wolf. it’s a 7 color kid skin appliqué tapestry measuring about 2 1/2 ft wide by 3 1/2 ft high. the design is inspired by ancient hungarian “magyar” motifs.
many thanks to mr stephen harrod buhner author of “the secret teachings of plants: the intelligence of the heart in the direct perception of nature” and many other fine works. i have borrowed the word ‘aesthesis’ and his explanation of it here as it was a direct
influence in the creation of this piece.
package design layout by jh
01 bowl sung
when i first began to consider how to bring this project out onto stage to perform this music live i teamed up with a friend (balam mcnally). we spent long hours creating bizarre instruments that sounded as if they’d been run thru effects processors but where in fact completely acoustic in nature. the best of these was a large copper bowl, maybe 4 feet wide and a foot or so deep… i built a hanging strap system and filled it about half full of water. this song was recorded entirely in and on that copper bowl.
02 work makes free
i’ve long been fascinated by the sounds of my everyday life… markus and i recorded this song utilizing the tools and sounds i work with in my shoe making shop along with a beautiful little iranian zither that he brought along and a bowed cymbal or two. this happened right around the time i bought this house i’d been living and working in for a few years and big in my mind at the time was how deeply grateful i was and am to this space where i live, work and play music and that thru the sweat of my brow am able to keep up the payments… work truly can set you free! also included are samples from a set of recordings of everyday sounds from papua new guinea, a family chopping down a tree. we always include wood chopping in live performances of this song.
this song arose from a night at home when i overheard arrowyn doing a bit of chakra vocal toning and noticed the similarity in pitch to a new singing bowl i’d just gotten.. i grabbed the bowl and joined her! this song really is literally at the heart of this set of recordings. we’re also joined vocally by markus and jason o.b. on flute.
04 sweat of the face
again, at the time i was thinking a lot about the work i do and the joy it brings me. this song is dedicated to and a celebration of working hard and it’s just rewards.
recorded in a ritual setting using wooden percussion, a seed shaker, stones and a handmade elk skin drum.
recorded live at my first solo amo1 performance in october of 2010 at satyricon in portland, or., i caught live drum and glass percussion loops and recited lyrics from a song i did years ago under the name “torture chamber” with mr jon canady. this song in it’s original form had been inspired by the bret easton ellis book “american psycho”. “i think to myself that this place eats the sound, does not digest it, and will never, shit it out.”
07 wave rolls (psychedelic mix)
markus, jason o.b. and myself attempted to do our own version of the classic veljio tormis choral classic “wave rolls” a few years ago and released it on our “bathe in fiery answer” album. i had the tune stuck in my head for weeks and would sing it to my self constantly.. one morning as i sung under my breath i started to hear a super noisy bm style guitar grating along to the tune in my head and called my friend brian, who is the mastermind of one of the few metal bands i really love “l’acephale” and fellow band mate in “waldteufel”, to see if he’d be interested in working on a metal version with me. i also asked james woodhead who collaborated on the last amo1 record and has played several shows with me if he’d like to work on this as well, he has a small collection of beautiful analogue synths that he uses in his projects “at the head of the woods and elemental chrysalis” and the tracks he came up with just blew my mind… as i listen to this new version of the song it gives me the same nearly overwhelming feeling of liquid panic that i sometimes feel just as a strong hallucinogen like lsd or mushrooms are taking hold, it takes me to those moments when everyday perception begins to separate from that which is about to be revealed…
08 water is love
one of my continued experimentations with blending different time signatures and home made instruments, this song features a 7 foot long tube drum i made several years ago with a 3 foot long spring protruding from the raw hide drum head.